A special version of the cardioid small diaphragm microphone KM 54 for the broadcast industry. The capsule head KK 105 S uses a precision manufactured true condenser supercardioid capsule and is specially designed for Sennheiser SKM 5000/5200 handheld transmitters. Like all microphones of its time, it operated with tube electronics. The U 67 tube microphone was the quintessential studio workhorse throughout the formative years of modern music. The TLM 103 D uses Neumann’s Solution D converter technology ensuring highest fidelity with an enormous dynamic range of 130 dB. The KMS 84 used the same capsule as the KM 84 in a newly designed headbasket with excellent pop protection. $70 per month for 36 months Or $70 $ 70 /month § for 36 months . The RSM 190 i was a mid/side microphone with the shotgun part delivering the M-component and a second figure-8 capsule system, angled 90 degrees, providing the S-component. The KM 120 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. Neumann was the first microphone manufacturer to receive the prestigious Technical Grammy Award of the National Academy of Recording Arts & Sciences in 1999. Our TLM series works with a transformerless output stage. Like the KM 76, the KM 86 was a transistorized successor to the KM 66 small diaphragm tube microphone. Its tube amplifier was based on the U 47’s, but instead of a large diaphragm capsule it used a tiny high-precision condenser capsule on a long neck to avoid reflections from the microphone body. The KM 143 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. Facebook Twitter Reddit LinkedIn Similar Threads. In all, the TLM 107 gives you five patterns including omnidirectional, cardioid, and figure 8, plus the steps in between. The KM 73 was an omnidirectional small diaphragm microphone with solid state electronics. A special version of the omnidirectional small diaphragm microphone KM 53 for the broadcast industry. Somehow the Neumann sounded more “present” on the samples I heard, but would be happy to hear some opinions from people who have tried both. The KM 131 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 140 combines the KM 100 output stage with the cardioid capsule AK 40. It ran on batteries or phantom power. The successor to the SRM 64 long neck stage microphone. TLM: Clear Sound, Powerful Bass. The KH 410 combines enormous SPL capability with a low frequency reproduction that extends down to 26 Hz. Direct Metal Mastering (DMM) disk cutter with SX 82 disk writer and SAL82 writer drive logic. The KM 53 was a pressure transducer with an ultra-thin metal diaphragm. Only logged in customers who have purchased this product may leave a review. Disc cutting lathe for vinyl. Neumann sound on stage – wireless! The KM 85 was a cardioid microphone like the KM 84 but with a low cut built into the capsule to compensate for the proximity effect. Neumann’s Solution D technology ensures highest fidelity for a pristine studio grade vocal sound. In the ‚R’ setting the directional pattern may be controlled from the PSU with no special multipin cables required. Miniature Microphone for Phantom Powering. The TLM 103 is a cardioid microphone with a large diaphragm condenser capsule derived from the classic K67/87 capsule of the legendary Neumann U 87. The first switchable pattern condenser microphone. Protect & clean your microphones especially for vocal and speech recordings. 2. The TLM 50 revived the unique capsule technology of the classic Neumann M 50 of the 1950s and combined it with a cutting edge transformerless head amplifier for lowest noise and distortion. Switchable Studio Microphone (Mod. The legend continues: To this day, no professional recording studio is complete without a Neumann U 87 Ai. The open mesh headbasket houses a small diaphragm capsule flush mounted in a small sphere. Thanks to its integrated pattern controls the USM 69 i does not require a dedicated power supply anymore but can be run off phantom power. Discover 2014 What else happend . The digital Version of Neumann’s acclaimed KH 120 near-field monitors with AES3 and S/PDIF connectivity in addition to analog inputs. I just might end up with a pair eventually. It is also used for industrial applications. The U 87 is the standard microphone for speech and vocals. The GFM 132 was designed using computer simulations: The unique shape of the base plate avoids comb filter effects. The KMA (not to be confused with today’s KM A modular microphone system!) The KM 74 the successor to the KTM, Neumann’s first transistorized microphone. With its two independently switchable small diaphragm systems (omni, cardioid, figure-8) the SM 2 allowed for all kinds of coincidental stereo recording techniques. Large-diaphragm Multipattern Condenser Microphone with 5 Polar Patterns, 3 … Like its predecessor, the TLM 67 is a workhorse with three polar patterns while its circuit produces tube-like saturation at high SPLs. Designed as a successor to the U 87, the U 89 was eventually recognized as a classic Neumann microphone in ist own right.
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